Shun Lee by Montague Dawson |
As with the other Walker ships, Shun Lee was a composite,with wooden planking laid over an iron frame. To get an understanding of what the wrought iron frame looked like and how it worked, see the last photograph on my post about Ambassador or go and visit the wonderful Cutty Sark in Greenwich, London. Composites had many benefits over ships made entirely of wood. The wood made ships light and streamlined but the iron frames provided longevity and strength. Most importantly, a composite had no need of the giant beams required by a wooden ship, which left more room for cargo. The earliest known composite hull was the schooner Excelsior of 1850, built by John Jordan, and one of the earliest clippers to be built was Bilbe and Perry of Rotherhithe's 720 ton Red Riding Hood. Although built by John and William Walker, the work was overseen by Bernard Waymouth, who was a renowned surveyor for Lloyd's Register and became an authority on composite ships. The experience he gained working with shipbuilders like John Walker stood him in good stead when later, as a naval architect, he went on to design the famous Thermophylae.
Lavender Dock |
The frame is of double-angle iron, diagonally trussed, with extra angle and bulb iron stringers worked longitudinally on frames right fore and aft. The bottom is double to the underside of the wales, the inner bottom being fastened to the frames with galvanized iron bolts, and the outer bottom being worked diagonally and fastened to the inner bottom with pure copper bolts.
The above description, full of technical details, illustrates the real interest in shipbuilding innovation that existed at the time.
Advert for passage on Shun Lee, from The London and China Telegraph, Volume 11, 1869 |
In 1880 her full rig was reduced to barque rigging, a standard procedure for former tea clippers when they were no longer required to achieve the high speeds demanded by the tea trade over such long distances. With shorter rigging they were easier to handle and required fewer crew hands to man them.
Shun Lee by Thomas Goldsworth Dutton Royal Museum Greenwich, London (PY8575) |
Shun Lee never saw the end of 1891. In the September of that year she was in Rio de Janeiro when she caught fire and burned. Three crew members falsely accused the mate of deliberately setting fire to the ship, were found to be lying and had to pay the costs of the inquiry. The cause was actually declared as internal combustion.
Shun Lee by Montague Dawson |
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